“Only the colored people themselves can determine their political, social and economic future.”

William Monroe Trotter

Prof. EA Kiss

This course surveys a hidden canon of African American film while also uncovers the roots of representational injustice in Hollywood and the secret, but cardinal role Woodrow Wilson played in the production and distribution of Griffith’s “The Birth of a Nation” that led to the rebirth of the KKK. Wilson’s policy of segregation was adapted by Hollywood as a self-censoring industry regulation of representation. Black people could only appear on screen as subservient and marginal characters, never as equals, partners or leaders. This industry code, Wilson’s legacy, has become second nature to Hollywood.

04/20

Afro-Americans on the Frontline

Museum vitrine on Afro-American soldiers; Dee Rees museum vitrine

Mudbound

Dee Rees

(2017)

Paisan

Roberto Rossellini

(1946)

Glory

Edward Zwick

(1989)

Archival photography and film on Afro-American soldiers

How We Advertised America

George Creel

(1920)